Daphni gives up a killer track that smoothly dodges through hip-hop and jazz as it drives powerfully on a drum and bass march.
Interview by Mark Anthony Brennan
At Mission Dolores are based in Kamloops, BC. Their latest album ‘Last Night Outside Her Apartment’ was released just weeks ago.
Why “At Mission Dolores”?
Mission Dolores is a park in San Francisco. This is going back a number of years. I was visiting San Francisco, and had a really cool couple of days, but in that neighbourhood in particular you’d see such huge swings between wealth and poverty. You’d be in this beautiful, surreal park full of palm trees and just to see that stark contrast. I think that’s influenced the band — observing how weird and strange things are in the world but we’ve sort of normalized them.
How it the band get started?
It started as my solo project. I attempted to record my songs alone but ended up recruiting drummer, Jared Wilman, and Jared Doherty who is co-vocalist and song-writer and additional guitar player. My wife, Maggie, was also included in the recordings. Afterwards, we decided we wanted to play those songs live and that’s when we came across our bassist Stu. Then we were able to form the band, learn those songs and start on the path that way.
Was it difficult, developing a band in Kamloops?
One advantage is that with a smaller scene it’s easier to go out and cut your teeth. Go through your growing pains without being on the big stage of a major city. However, it’s like the snow-globe effect — everybody knows you and everybody’s going to support you, regardless. When we started getting out to Vancouver, Victoria, Calgary, the bigger cities, that was our big litmus test. So far, it’s been very well received. One of the cool things is that — using Vancouver for instance where there’s a pretty strong post-punk movement right now — we are considered a breath of fresh air because it’s not totally in line with what’s going on in their scenes.
Your songs are very well crafted.
I really like the story-telling aspect of songwriting. Once we have a nice story or narrative in place then it’s fun, treating your instruments like your paintbrush as to how you’ll alter the canvas behind that story.
At Mission Dolores on tour:
July 4th / Victoria / Vinyl Envy
July 5th / Cumberland / Masonic Hall
We are pleased to present the premiere of “Through the Park” by Amy Rose Hamelin (formerly Amy Casper). A song of muted beauty and subtleties, it is a fine addition to the ‘Victoria Secret 2019’ compilation.
And here it is. To quote from the album notes:
Behind the sombre granite blocks and snaked in between the rows of tourist shops and Starbucks lies a different Victoria. Raw, eclectic, nasty and beautiful. It’s the beating heart of the city’s alternative music scene — pounding in an effort to break through the ancient ribs of a quaint and reserved town.
“Victoria’s Secret 2019” is just a sampling of what there is to discover. Check out all-new recordings by 12 artists who represent the insistent, creative spirit that lives beyond the towers of The Empress.
All-new music from High Arctic, Teenage Violets, Winnie Richards, L.L, Elura, The Hex, Purveyors of Free Will, Amy Rose Hamelin, Psychic Pollution, Always a Bad Thing, general gruff, Tremblers of Sevens.
We are pleased to present to premiere of “Kingdom Went” by Ilya Krivo (now based in Vancouver).
A unique work of experiment folk, “Kingdom Went” is an epic allegory; a concept album about the human condition amidst war and religion, family history and immigration, love and misanthropy, and achievements and failures in acquiring knowledge and understanding.
Chris Hauer (Dories, FKA Margret) presents his new solo album and we have the exclusive premiere. Enjoy his idiosynctratic stylings as a thoughtful singer-songwriter.
Video to the track “Holding”:
Catch Hauer on his cross-Canada tour this summer from June 6th until July 7th in conjunction with the Montreal-based group LAPS:
Irregular Dreams is thrilled to present to premiere of “Honeybee” and “Eranos”, a 7″ by YlangYlang & Cosi e Cosi.
The two musicians are prominent members of the Montreal experimental underground scene. These tracks find them in familiarly strange form, as they weave in and out of synth grooves with surprising sparks of melody and dives into the morose.